No one can stop talking about Shonda Rhimes and Thursday
nights on ABC. The creator/writer/executive producer owns three entire hours of
primetime television. Grey’s Anatomy premiered the first episode of its 11th
season at 8pm with tumult between Meredith and her new sister. Scandal opened
its 4th season with retired white hat, Olivia Pope sipping red
wine….on a deserted beach. And ABC’s Thursday night 3rd hour is
reserved for twisted law school lessons to elite first year law students in How To Get Away With Murder, lead by the
Oscar-nominated film actress turned TV vixen, Viola Davis as double threat lawyer/professor,
Annalise Keating.
Aside from being brilliant and ruthless in her work, Davis’
Keating is personally complicated. Between an extra-marital affair, blurred
lines of appropriateness between her and her students and a convoluted since of
ethics, Rhimes has done it again. She has created a fully formed, captivatingly
complex heroine. She did it with Meredith Grey in Grey’s Anatomy, Addison Shephard in Private Practice, Olivia Pope in Scandal and now with Annalise Keating in Murder.
A New York Times critic reviewed Rhimes’ latest hit to less
than stellar reviews, writing a critique (if you can call it that) almost
entirely centered around a claim that
Rhimes is an “angry black woman” creating only “angry black woman”
characters. Rhimes herself fired back at the critic on Twitter citing how
completely ridiculous the comments were, referencing all of the white female
characters that she has also created. Rhimes has done nothing but create
characters that people want to watch. The women that she creates for the small
screen are not docile, mild-mannered, June Cleavers. White, black, Asian –
whatever their races may be, they’re women! She has built a name for herself
for creating mosaic female characters that women want to play. Actress Portia
de Rossi recently spoke about her new character on this season of Scandal and
how she had begged Rhimes for quite some time to write her into the show
somehow. Finally Rhimes obliged. Last time Portia looked in the mirror, I do
not think she saw angry and I do not think she saw black looking back at her.
But I think she saw strong. I think she saw a woman and I think she saw someone
looking to be challenged in her work and she went to Rhimes for that.
How To Get Away with
Murder is a sure thing. It’s an awe-inducing hit. If you’re looking to catch up On
Demand on the week’s shows, press play for Murder.
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